Hi I’m Tina! Welcome to my website
I’m a children’s author, travel, craft, and theatre writer. I write in various genres, a selection of which is available here. Depending on your interest, I have broken down each section and created an archive of my theatre and screenplay scripts. They are all accessible from the menu above or the icons below.
I’m a children’s author, travel, craft, and theatre writer. I write in various genres, a selection of which is available here. Depending on your interest, I have broken down each section and created an archive of my theatre and screenplay scripts.
Latest Children’s Book Releases
From my Notebook
New Children’s Book – A Python lives in my Garden
Jeeps, it has been an age since I posted here. A deep sadness has been with me for the past year, and honestly, I didn't feel much like writing. In July, I lost my Dad to cancer unexpectedly, and my heart completely broke. But before he died, he got to see one of the first books we planned to...
Self-editing my short story
Today I want to talk about editing because it is not one of my strong points, and I assumed editing was all grammar focused. Once I eliminated that...
Today’s read – Amos & Boris by William Steig
'Overwhelmed by the beauty and mystery of everything, he rolled over and over and right off the deck of his boat and into the sea.'Amos & Boris...
Charlie & Nora
Second edition now available in Paperback and on Kindle
A character study in one-act
Charlie and Nora spend an evening together on a park bench. Throughout the night, they reveal secrets against a background of unreciprocated expectations that threaten to ruin their friendship.
Reviews:
“There is a quiet little gem playing in the Town Hall Theatre this week. Both actors give strong performances but Ger Considine while telling of the love story in his past gives a very special moment to the audience.”
The Galway Advertiser
“Tina O’Rourke’s two-hander is a simple but effective piece. Basically a conversation between two lonely middle-aged people on a “date”; It takes place on a rough-hewn park bench serenaded by the sounds of ambient traffic – it gradually yields its story and its riches. This is a quiet, careful production that repays attention.”
The Irish Times
